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Olivia Doutney, pénétrante Turandot qui évite toute stridence pour donner une incarnation saisissante à son rôle, jouant finement de son accoutrement de diva grandiloquente, en écho aux plus savoureuses méchantes (entre Cruella et Yzma) des films Disney.

Florent Coudeyrat for ConcertoNet

Olivia Doutney and Joanna Harries make an ideal pair of lovers as Angelica and Medoro respectively, each producing measured tone combined with clear and emphatic dramatic performances

George Hall for The Stage

To me the stand out singer was Olivia Doutney, who had a beautiful voice that could easily fill a larger theatre and was able to produce exquisitely soft singing and carefully attentive phrasing; she was also a very good actor.

Olivia Doutney made a remarkably still moment of Angelica's aria 'Verdi piante, erbette liete'

Mike Wheeler for Classical Music Daily

...trois excellents chanteurs: le Dr. Sacks (Christian Joel), le Professeur P. (Matthias Geissbühler) et sa femme, tout aussi perturbée que lui (Olivia Doutney)...

Matthieu Chenal for TDG Culture

Das gilt schon für diesen Auftakt musikalisch doppelt: Zum einen für die unerfüllte Liebe, wenn sich die süssen Soprane von Diana Schnürpel und Olivia Doutney schmerzhaft am Tenor von Emanuel Heitz reiben.


- Luzerner Zeitung (Review of Lieder von Krieg und Liebe)



'La soprano anglo-suisse Olivia Doutney (voix ronde, précise et expressive) a fait une belle impression dans les "Sechs Lieder nach Gedichten von Georg Trakl" de Webern avec des solistes de l'OCG.'

- RTS Culture 

'Moving swiftly to the bel canto world of Donizetti's Lucia di Lammermoor, Olivia approached the daunting coloratura aria Regnava nel Silenzio with ease. Her well-shaped lyrical phrases and impressive technical proficiency supported powerful singing, rich in tone. The equally demanding and well-executed Gavotte from Massenet's Manon dazzled the audience with sparkling top notes in a commanding performance.'

- Helen Grand for The Guernsey Press. Review of the concert, Too Many Sopranos

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