Olivia Doutney is a spinto soprano with Swiss, Australian and British origins. In the 2023 season, she stepped further into the dramatic repertoire, making her debut in the title role of Puccini's Turandot at the Summum in Grenoble, with the Fabrique Opéra de Grenoble in France to critical and public acclaim. She has a Masters in Music Performance from the Haute Ecole de Musique de Genève and a Specialized Soloist Diploma from the Hochschule der Künste Bern, where she studied with the eminent soprano Malin Hartelius.

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In 2022, Olivia co-founded the opera production company Liberata Collective alongside Susanna MacRae, of which she is now Creative Director. In 2026, Olivia wrote Antonia, an opera-play about the life of Marie Antoinette through the lens of her pivotal role re-shaping the musical trends of her era, and her controversial relationships with certain composers. The work features the music of Gluck, Sacchini, Piccinni, Dussek, and the Chevalier de Saint Georges. 

 

Other opera roles include Leonore Fidelio, Micaëla Carmen with L'Orchestre Symphonique de Pontarlier, Mimì La Bohème at National Theatre of Zrenjanin (Serbia), Ursuline in Saint-Saëns’ Ascanio at Grand Théâtre de Genève, soprano solo in Monteverdi's Madrigali Guerrieri ed Amorosi at Luzerner Theater, and Mrs P in Michael Nyman's The Man who mistook his Wife for a Hat at the Théâtre de l'Oriental in Vevey, in the Swiss première of the work. 

 

On the concert stage, Olivia performed with with the Sinfonie Orchester Biel-Solothurn, singing Samuel Barber's American masterpiece Knoxville: Summer of 1915 at the Kongresshaus in Biel, with the Geneva Chamber Orchestra in Anton Webern’s Sechs Lieder nach Gedichte von Georg Trakl under the baton of Arie Van Beek, in a concert streamed by Espace 2, and as the Virgin Mary in Berlioz’s epic opus, L’Enfance du Christ. Olivia has been a featured soloist on the international concert tour of the Neues Zurcher Orchester, performing Haydn's concert work Scena di Berenice at, for example, the Berlin and Cologne Philharmonics and St. John's Smith Square London, as well as several Swiss venues. She has since performed Mozart's Requiem and Saint-Saëns Oratorio de Noël with the NZO.

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Earlier operatic roles include Sidonie in Lully’s Armide for London Grimeborn Festival, and during her studies at the HEM, la Contessa Almaviva (Le Nozze di Figaro), the title role in Donizetti’s Rita, and Isabelle in Campra’s Fêtes Vénitiennes. She has also sung Drusilla/Fortuna (L’Incoronazione di Poppea) for Woodhouse Opera Festival, as well as the roles of Giulietta (I Capuleti e i Montecchi), Fünfte Magd (Elektra), Alison (The Wandering Scholar), and others. 
Also dedicated to lieder and song, Olivia gives many recitals in Switzerland, the UK and Europe. In duo with Arthur Simoes at the piano, she has performed notably for the Schubertiade sur la Colline festival in Neuchâtel, in masterclasses with Helmut Deutsch and has also recorded Samuel Barber’s cycle Four Songs Op. 13 for Espace 2.

Olivia is honoured to be a recipient of scholarship prizes from the Fondation Colette Mosetti and the Friedl Wald Stiftung, and she would like to thank these foundations for their support and generosity.